Goldberg and the Stars

30.08.2026 at 7:00 PM
Centrum św. Jana

PROGRAM

  • Johann Jeremias du Grain (?-1756 Gdańsk)
    Cantata Herr, nun lässest du deinen Diener in Friede gehen
    for soprano, 2 violins, viola and basso continuo
  • Johann Sebastian Bach (1685-1750)
    Cantata Vergnügte Ruh, beliebte Seelenlust BWV 170
    for alto, 2 violins, viola, organ and basso continuo
  • Johann Bernhard Bach (1676-1749)
    Suite in G minor
    Ouverture – Air – Rondeau – Loure – Fantaisie – Passepied
  • Johann Gottlieb Goldberg (1727 Gdańsk-1756 Dresden)
    Cantata Durch die herzliche Barmherzigkeit Gottes
    for soprano, alto, tenor, bass, choir, 2 violins, viola, 2 oboes and basso continuo
  • Johann Gottlieb Goldberg
    Psalm 12 Herr, die Heiligen haben abgenommen
    Cantata for soprano, tenor, bass, choir, 2 violins, viola and basso continuo

Performers

  • Soloists: Dorota Szczepańska D’ORO – soprano, Andreas Scholl — countertenor, Georg Poplutz — tenor
  • Ensemble: Period-instrument ensemble of the Polish Royal Opera Capella Regia Polona
  • Choir: Polish Chamber Choir Schola Cantorum Gedanensis
  • Choir preparation: Jan Łukaszewski
  • Artistic direction: Alina Ratkowska — harpsichord / conductor

Capella Regia Polona

Capella Regia Polona, the period-instrument ensemble of the Polish Royal Opera, was established in September 2018. The ensemble’s repertoire includes Polish and European Baroque music — oratorio and cantata works, operas and instrumental music. The ensemble consists of young and talented instrumentalists specialising in historically informed performance, playing period instruments or their copies. Its musicians collaborate with leading Polish and international ensembles. The ensemble’s musical director is the harpsichordist Krzysztof Garstka.
  • First violins: Michał Piotrowski — concertmaster, Szymon Strzelczyk, Mateusz Małecki, Bartłomiej Fraś
  • Second violins: Joanna Gręziak, Małgorzata Góraj, Katarzyna Pokrzywa, Kacper Szpot
  • Violas: Natalia Reichert, Szymon Stochniol
  • Cello and double bass: Tomasz Frycz — cello, Grzegorz Zimak — double bass
  • Continuo: Klaudyna Żołnierek — theorbo, Krzysztof Garstka — positive organ
  • Wind instruments: Agnieszka Mazur-Zborowska — oboe, Katarzyna Czubek — oboe, Leszek Wachnik — bassoon

Polish Chamber Choir

  • Sopranos: Katarzyna Herrmann, Julita Kuczborska, Izabella Mandziej, Sabina Szwed, Ludwika Wujtewicz, Katarzyna Babirecka-Mróz
  • Altos: Wiesława Łukaszewska, Danuta Mackiewicz, Bożena Nadolska, Dagmara Piotrowska, Anna Thun-Sobierajska, Katarzyna Wittschenbach
  • Tenors: Damian Bykowski, Leszek Gołąb, Kacper Kłosiński, Krzysztof Pękała, Jerzy Stelmański, Lech Wittschenbach
  • Basses: Mariusz Czapiewski, Andrzej Macierzyński, Sebastian Mandziej – solo voice, Mykola Semeriakov, Janusz Sierla, Krzysztof Stachowski

Dorota Szczepańska | D’ORO – soprano

Polish soprano acclaimed for her interpretations of Baroque and Classical repertoire, collaborating with leading artists on the international music scene. At Hamburg’s Elbphilharmonie, she performed the title roles in Henry Purcell’s Dido and John Blow’s Venus, appearing with lautten compagney BERLIN under the direction of Antonius Adamske. Her operatic roles include Griselda in Alessandro Scarlatti’s Griselda, alongside Sonia Prina under the direction of Vittorio Ghielmi; Ismene in Wolfgang Amadeus Mozart’s Mitridate, re di Ponto, conducted by Philippe Jaroussky; and Eurydice in Christoph Willibald Gluck’s Orfeo ed Euridice, under the direction of Camille Delaforge. She has collaborated with such distinguished artists as Trevor Pinnock, Howard Arman, Jan Willem de Vriend, and Andrea De Carlo, as well as with Ensemble Mare Nostrum and Christina Pluhar’s L’Arpeggiata, with whom she has performed, among others, in a concert featuring Rolando Villazón. Her discography includes Krzysztof A. Janczak’s Ave Maria, recorded with the London Symphony Orchestra, as well as recordings released by NAXOS, DUX, and ARCANA. She also develops her own original projects, including LAMENTO PROJECT with lutenist Alon Sariel and double bassist Peter Schwebs, which brings together Baroque and popular music.

Andreas Scholl

Born in Germany, Andreas Scholl’s early musical training was with the Kiedricher Chorbuben choir. He later studied under Richard Levitt and René Jacobs at the Schola Cantorum Basiliensis. He has won numerous awards and prizes, including the prestigious ECHO Award for his composition for Deutsche Grammophon’s audio-book of Hans Christian Andersen’s The Emperor’s New Clothes and The Nightingale.

Andreas has released a series of extraordinary solo recordings: the most recent being Wanderer – a disc of German Lied in partnership with pianist Tamar Halperin. Other notable releases include Bach cantatas with kammerorchesterbasel; O Solitude – an all-Purcell album with Accademia Bizantina, which won the 2012 BBC Music Magazine award; Arias for Senesino, Heroes – a disc of arias by Handel, Mozart, Hasse and Gluck; Robert Dowland’s A Musicall Banquet; Vivaldi Motets with the Australian Brandenburg Orchestra; and Arcadia – a collection of rare and unpublished cantatas by composers from Rome’s Arcadian Circle. All of these recordings are released on Decca.

Andreas’ recorded work also includes Handel’s Solomon and Saul with Paul McCreesh for Deutsche Gramophon, and for Harmonia Mundi, Vivaldi Stabat Mater; Caldara’s Maddalena ai piedi di Cristo; and Crystal Tears – lute and consort songs by John Dowland. Andreas’ DVD releases include productions of Giulio Cesare (for both Decca and Harmonia Mundi), Rodelinda (Warner) and Partenope (Decca).

Operatic roles include the title role in Giulio Cesare at Théâtre des Champs-Elysées and the 2012 Salzburger Festspiele (opposite Cecilia Bartoli) and Bertarido (Rodelinda) at Glyndebourne Festival Opera and the Metropolitan Opera (opposite Renée Fleming). His concert performances have included appearances with Berliner Philharmoniker, New York Philharmonic, Royal Concertgebouw Orchestra, Boston Symphony Orchestra, Dresdner Philharmonie, Akademie für Alte Musik Berlin, Freiburger Barockorchester, the Academy of Ancient Music and at the 2005 Last Night of the Proms – the first counter-tenor ever to have been invited.

Georg Poplutz

The lied and oratorio tenor Georg Poplutz, highly regarded for his tonal sensitivity and expressiveness, is one of the most sought-after performers of baroque music. He grew up in Arnsberg, Germany, and after completing his teacher training in Muenster and Dortmund, he studied voice in Frankfurt / Main and Cologne with Berthold Possemeyer and Christoph Prégardien. Since 2010, he has been advised vocally by Carol Meyer-Bruetting.

Poplutz performs at renowned festivals and in important concert halls and churches in Germany and abroad Jörg-Andreas Bötticher, Rudolf Lutz, Hermann Max, Ralf Otto, Andrzej Szadejko, Hans-Christoph Rademann, Christoph Spering, Michael A. Willens, and Roland Wilson, among others. Concert tours have also taken him to China, Georgia, Mexico, Singapore and South Africa. Among the numerous radio and currently about 125 CD or DVD recordings in which Poplutz has appeared as soloist are several cantatas for the J.S.Bach-Stiftung St. Gallen (CH) with Lutz, Bach’s Christmas Oratorio and Passions with Otto, and numerous works for the Heinrich Schütz complete recording with Rademann, which was awarded the „Opus Klassik“ 2020. He also sang in the Oratorio Secondo by Johann Daniel Pucklitz with Szadejko, also awarded this Price in 2022. Two solo-CDs with baroque cantatas and songs were released in 2022, „Das ist meine Freude“ with Johann Rosenmüller Ensemble and Arno Paduch, and „Ich bin mit Gott vergnügt – zuversichtlich durch die Zeiten“ with Telemann Ensemble Frankfurt and Andreas Köhs.

Poplutz also dedicates himself with great enthusiasm to a wide repertoire of songs, together with his long-time piano partner Hilko Dumno. With his organ partner Jürgen Banholzer and his guitar partners Antje Asendorf & Stefan Hladek, Poplutz performed together in Gdansk in 2022 and 2015. Some of the songs are also available on recordings, the latest of which (2023) with poems by Eichendorff by several composers with Rudolf Lutz on the piano, and Songs of Flowers and Trees (2025) with C. Bertucci, Sopran, and T. Dravenau, Piano.

Alina Ratkowska

Alina Ratkowska — harpsichordist, conductor and arts manager

Alina Ratkowska won First Prize at the Paola Bernardi International Harpsichord Competition in Bologna in 2005. In 2003, she was also awarded Third Prize at the International Early Music Competition of Flanders in Bruges, Belgium, together with the Esperanto ensemble, which she directed.

She received the Polish Phonographic Academy’s 2024 Fryderyk Award in the category Contemporary Music Album of the Year for the two-disc album Le Clavecin Moderne plus Saxophone, featuring the latest music for harpsichord and saxophone, recorded as a duo with Paweł Gusnar. She also received the 2020 Fryderyk Award in the category Early Music Album of the Year for her two-disc recording of the complete solo harpsichord works of Johann Goldberg, as well as the prestigious Splendor Gedanensis Cultural Award of the City of Gdańsk for 2019. She is a professor at the Fryderyk Chopin University of Music in Warsaw, where she teaches harpsichord.

In 1999, she graduated with distinction from the Fryderyk Chopin Academy of Music in Warsaw, where she studied harpsichord under Professor Leszek Kędracki. In 2002, she received a diploma from the Schola Cantorum Basiliensis, the University of Early Music in Basel, where she studied with Professor Andrea Marcon. In 2020, she also completed a degree in symphonic and operatic conducting under Professor Marcin Nałęcz-Niesiołowski at the Academy of Music in Gdańsk. She is additionally a graduate of postgraduate studies at the Faculty of Management and Economics of Gdańsk University of Technology.

In 2009 and 2013, she received the Sztorm Roku award, presented on the basis of votes cast by readers of Gazeta Wyborcza. In 2008, she was honoured with the Mayor of Gdańsk Award for Young Artists. She has received scholarships from the Polish Minister of Culture and Art, the Marshal of the Pomeranian Voivodeship, the Culture Foundation and numerous international foundations.

She has collaborated with the Goldberg Baroque Ensemble, which specialises in performing music preserved in the collections of the Gdańsk Library of the Polish Academy of Sciences. This repertoire has been documented in the recording series The Musical Heritage of the City of Gdańsk, released by DUX, Sarton and MDG.

A significant part of her artistic activity is devoted to contemporary music written for the harpsichord. She has participated in world premieres of chamber and solo works by Krzysztof Baculewski, Anna Ignatowicz-Glińska, Paweł Łukaszewski, Edward Sielicki, Tadeusz Dixa, Bartosz Kowalski, Marcin Łukaszewski, Dariusz Przybylski, Mikołaj Hertel and Leszek Możdżer. Her work in contemporary music has resulted in such recordings as Le Clavecin Moderne and Le Clavecin Moderne plus Percussion, nominated for the Fryderyk Awards in 2017 and 2022 respectively. In 2019, Alina Ratkowska conducted the world premiere of Zygmunt Krauze’s cantata Francesco.

In 2012, she released an album featuring three harpsichord concertos by Johann Jeremias du Grain, a Gdańsk-based composer and organist who died in 1756. A year later, the Fryderyk Chopin University of Music in Warsaw published her book devoted to these works. In 2018, she recorded Johann Gottlieb Goldberg’s harpsichord concertos for the German label MDG Musikproduktion Dabringhaus und Grimm. The album received four nominations for the prestigious German Opus Klassik Award in 2019.

Ratkowska is also the author of Śladami Goldberga (In Goldberg’s Footsteps), the first monograph devoted to the Gdańsk harpsichordist and composer. For this publication, she received the Splendor Gedanensis Cultural Award of the City of Gdańsk in 2020.

In 2006, on her initiative, the Goldberg Festival was established in Gdańsk. It has since become one of the most important early music festivals in Poland.

Since September 2022, she has served as General and Artistic Director of the Witold Kilar Polish Sinfonia Baltica Philharmonic in Słupsk.

Fot. Maciej Czerski